Batman: The Killing Joke
Warning: Mature themes, rated M. Not intended for younger readers.
The 1988, The Killing Joke by Alan Moore in the re-colored and remastered 2008 printing of the famous DC Comics One Shot is one for the ages. I have had cursory knowledge of The Killing Joke being a fan of comics both Marvel and DC but never sat down to really take it all in. I’ve watched the animated adaptation a few years ago but have since forgotten the story. After reading it, I walked away considering this to be the end of the Batman x Joker tale. It feels resolute in its tragedy.
Batman goes to Arkham Asylum to talk to Joker about their relationship and how it is doomed to end in one or the other or both dying by each other’s hands. The Joker gets a sympathetic origin story that is teased to be just a hallucination by Moore in the afterward. While I prefer the more dynamic frames of Japanese Mangaka there is something to be said about the standard block frames of older DC comics. Visual devices such as match cuts used to cut back and forth from a flashback sell a sense of unease while Joker attempts to drive Commissioner Gordon mad. Repeated multicolored frames at the start of a sequence that serve to drive you just as mad. Or an upbeat sequence followed by a page turn jump-scare of the Joker. With frames of smiling faces that unsettle you with ease. It is a masterclass in how to seed discomfort in your readers by utilizing the standard comic book format. There is no wonder as to why this is considered one of the greatest Batman comics.
Ian Alcantar is a Circulation Assistant at North Park Library. He can be reached at ialcantar@alamancelibraries.org.